This Floating Poo Was Far Too Symbolic! It's the Television Disappointments of the Year.

Looking back, we reflect on the TV offerings of the recent year, a handful of series stand out not for their brilliance, but for their notable failures. From cringe-inducing sequels to bafflingly poor documentaries, here are the programmes that left us scratching our heads or just reaching for the remote.

And Just Like That

Where to begin with this love/hate follow-up? Burdened with woeful writing, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to justify its existence. Briefly, as the final season started, it looked like it had at last hit its stride. Then came an installment centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the last series. It concluded on a low point; the lingering shot of Miranda’s toilet full of poo was just way too symbolic. Yet, fans certainly found joy dissecting every single “wtf?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the least of this drama's problems. The subject of a very rare zero star assessment, it was hard to know where to start listing the problems. The laughably wooden dialogue? The mind-numbing glorification of wealth and materialism? The almost wilful parade of tropes? Performances so poor they felt borderline spiteful? Suffice it to say “each and every one” and never speak of this show again. Except, a second season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, abuse claims and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have gleaned it from this multi-part documentary which chuckled along at Sheen’s various bouts of self-destructive hedonism while struggling to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might evoke should be reserved for the people who have had to suffer proximity with this charming but dismissive narcissist.

The Iris Affair

Of course we knew it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Shady characters meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t suffer the ignominy of having to indulge baffling accents. But there were many other issues. Mainly that it was just profoundly boring; a conflict over narcotics territory between various London rogues which seemed a bit basic.

With Love, Meghan

Considering the extent to which she grinds the gears of the nation’s performatively angry commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into twee homemaking as deliberate statements. But then you view them and are compelled to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a poster for evening drinks with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “tips” you’ll forget instantly. All supported by immense, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for whatever reason, this documentary series opted not to explore them. Instead, the viewing was like consuming a sales catalogue. She obviously has good reason to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this cagey non-event of a series.

The Game Show

It should have been the next big hit – except even camper, with a glamorous star playing dead and a well-known personality managing her estate. What more could you want? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to detail what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was straining desperately to live up to something way beyond it.

Too Much

How do you follow a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the shrewd inclusion of gifted emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated with care. Instead, the series struggled painfully to find the right voice, lurching from oddly breezy, slightly mannered farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we buy him playing the greatest maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? No! This globe-trotting thriller about secret services targeting – and killing off – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for explicit exploits as she undertook her biggest challenge yet. What on earth would motivate her? What we wanted was way more examination of her actual psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to haul her son away from the queue. What we got was horrific imagery and zero critical analysis of her notoriety whatsoever. And to think, the documentary-maker has a teenage daughter too.

Candice Phillips
Candice Phillips

Elara is a seasoned gaming analyst with over a decade of experience, specializing in strategy development and trend forecasting.